RSSThursday 2 July 2009, 7 pm
Roger Malbert and Tom McCarthy will talk about the Parades and Processions: Here Comes Everybody exhibition in London, and the imaginative and cultural implications of processions and parades.
Tom McCarthy is an English novelist, artist and literary theorist. His books include the novels ‘Remainder’ and ‘Men in Space’, which often involved formally repeated public, political and aesthetic ritualized events, and the non-fiction work ‘Tintin and the Secret of Literature’. ‘Remainder’ (2005), described by the New York Review of Books as ‘one of the great English novels of the last ten years’, won the 2007 Believer Book Award and is currently being adapted for cinema by Film Four/Cowboy Films. McCarthy’s ongoing art project, the ʻInternational Necronautical Society’, is a semi-fictitious avant-garde network that
surfaces through publications, proclamations, denunciations and live events, most recently
delivering a keynote declaration on ʻInauthenticity’ at Tate Britain.
About the exhibition:
This spring Parasol unit foundation for contemporary art will present Parades and Processions: Here comes everybody (1). The exhibition will feature works by twelve international artists who take their inspiration from the traditional meanings of ‘parades’ and ‘processions’, creating works that epitomise the social and political context of our time. The resulting works, ranging from sculpture to installation, films and videos, are powerful forms of expression that address issues of history, culture, identity and politics. They also highlight the recent and increasing phenomenon in our society of holding parades and processions. This exhibition aims to show a selection of works by contemporary artists who see in these themes considerable possibilities for expression.
A ‘parade’ is usually a festive occasion for which people dress up in extravagant costumes and
create elaborate and highly structured artefacts, while a ‘procession’ is more often an organised group of people proceeding in a formal or ceremonial manner, often with a religious or political connotation. Throughout civilisation, parades and processions have been integral to the human experience and social customs have been abundantly illustrated on ancient monuments. Often connected to religious, sacrificial or triumphal occasions they eventually evolved into festivals and carnivals. Nowadays parades and processions have become democratic activities in which people participate, interactively sharing a special experience with a group of like-minded people. They have become the perfect vehicle for communication and solidarity, and also raise questions about sociological and behavioural phenomena of our time, such as the increased surge in urban life, group selection, self-expression and the marked focus on the body. The expressive power of parades and processions allows many contemporary artists to adopt these traditional themes, and by replacing some of its emblems and icons with other symbols and objects, bring new meaning to the work. In so doing they revitalise the concepts of parades and processions, which in the past have been considered formal traditions. In their quest to create new ways to express themselves, these artists have benefited greatly from the efforts of those artists who in the 1960s and early 1970s, liberated art from the museum walls and placed it in the midst of society and public spaces in the form of happenings and performances.
(1) Joyce, James, Here Comes Everybody (1923) is the title of a sketch in which Joyce introduces HCE, eventually the main protagonist in Finnegans Wake (1939)
This exhibition is curated by Ziba Ardalan de Weck and will be accompanied by a new publication.